Native american woman wearing an indian necklace
NATIVE AMERICAN JEWELRY
Back to the earth, back to nature: this is the appeal
of American Indian jewelry, plain or fancy. Even the
most sophisticated Navajo silver engraving radiates
intense, earthy vitality.

A Zuni or Santo Domingo Native American necklace
is adorned with symbols that leap with life: bears,
birds, jumping spirits, running animals, and charging
warriors adapted from ancient pictographs found in
the Southwestern desert. Bone and hairpipe beads
shield the Apache warrior, while the Cherokee
weave flowers in beds of seed beads.














OVERVIEW AND TRENDS IN NATIVE AMERICAN JEWELRY
(Copyright 2012 all content)

How long ago did Native Americans begin making native jewelry?

Answer: Native American beads were found through excavations of Eastern sites dated over 2000 years ago.

This shows that jewelry making among some American Indian tribes is a very old craft, but it has changed
dramatically over time, especially in the last half of the 20th century. New Native American designs, innovative
methods, and newer raw materials came into use in the last 100 years. Most American Indian jewelry produced
in the 20th century was made by the Southwest tribes of Hopi, Zuni, Navajo and Rio Grande Pueblo people.
However, the quality producers today represent a cross section of tribes from Alaska to the Southwest and all
points east.

They are no longer held to traditional native styles, tightly bound by the past, or limited by nearby resources or
technology level. Now, they can work in a constantly evolving art form, which invents new designs and freely
borrows ideas from other tribes.

However, this was not always the case. American Indian art forms had been bound and shaped by their way of life,
and the output was determined by the resources and technology that artists had available at the time. Historical
events experienced by each tribe provided the symbols important to that tribe and therefore became the symbols
used in their art forms.

LIFESTYLES, RESOURCES AND TECHNOLOGY AFFECTED NATIVE AMERICAN JEWELRY MAKING

All American tribes created art and jewelry, but those who produced a large amount of intricate art forms
generally led more sedentary, farming lifestyles. They had the free time to allow artistic tribal members to pursue
their work full-time. But these artists were limited by the resources and technology available with which to create
their designs, and historical events determined the symbols they used.

Example of How Native American Jewelry Making Technology Affected Designs

Certain creative techniques have withstood the test of time. The Navajo silversmiths learned how to melt and
cast silver shapes from the Mexican silversmiths, and Navajo native jewelry artisans today continue to use sand
casting and engraving to produce silver jewelry designs. They began sand casting silver bracelets and rings
around 1875. The silver was melted and then poured into a mold, which was carved from sandstone. Cooled and
set, the piece requires a great deal of filing and smoothing. Sometimes, the Navajo used both techniques in one
piece, casting the silver design and then engraving it with symbols.

Scarcity of Resources Affected Jewelry Designs

We think of Navajo jewelry style as always having lots of turquoise among its elaborately engraved silver. Yet,
necklaces made in the early times had simple designs made mostly of silver and without the large turquoise
nuggets associateed with the Navajo. Turquoise was scarce, limiting its use in jewelry.

Before 1875, Navajo silver jewelry decorations had been shaped into silver using dies or punches. The design selected
for the silver piece was borrowed from Mexican leather tooling styles. The Navajo Native American ingenuity merely
transferred what the Mexicans had done in leather to their own specialty of using silver in creating designs. They
obtained silver by melting Mexican and European coins.

Although Navajo native jewelry makers would engrave symbolic images into their designs, they are one of the
few Native American tribes whose motifs do not have symbolic meaning.

Turquoise necklaces and bracelets in general have always been closely identified with the Navajo, but it was not
until 1880 that Navajo bracelet makers set turquoise stones into silver jewelry pieces. Except for the turquoise
used by the early Eastern Native Americans to make wampum, turquoise stone was very scarce and it was not until
1920, when it became readily available for making native ornamentation in the Southwest as the mining became
more active. This is why early Navajo personal antique adornment has only a few stones within each piece.

LIMITATIONS ON CREATIVITY

Creative output is limited by environmental conditions and the style of the tribe's adjustment to it. Southwestern Native
Americans had an arid climate to contend with, but many tribes discovered how to farm crops, which gave some of
their people the time to devote to making jewelry and kachina art. By planting crops and raising livestock for food
they could settle in one place, instead of roaming the southwest in search of food as they had traditionally done. This
contributed to their ability and desire to create native jewelry, kachina dolls and pottery in large numbers, because
it could be carefully stored, protected and cherished.

In contrast, the Plains Native Americans were migratory and made sturdy, lightweight objects of hide. They decorated
them with porcupine quills, and later, small glass beads. Their artistic endeavor was limited by their hunting and
gathering lifestyle, because it required them to be migratory. They had to create art objects that were useful and could
be carried when the buffalo herds moved to greener grasses. Buffalo meat, skin and bone were their most important
resources and it composed their art forms.

The Northwest Coast Native Americans fished the rivers and ocean shores and gathered plants and berries. Their
forested environment gave them plenty of wood to carve artistic items. They carved beautiful totem poles, feast bowls,
knife handles and beautiful jewelry. These items were imbued with spiritual symbols and religious meaning.

Growing American Encroachment Affected The Creative Output Of Some Tribes

Northeastern and Southeastern Native Americans were very artistic people, but their societies were being decimated
by the encroaching European settlers who pushed them further to the southeast, eventually moving them to
reservations. The Cherokee actually stopped creating art, necklaces or beadwork after the U. S. troops forcibly moved
them in 1838, to a reservation in Indian Territory (now Oklahoma). They suffered the trauma and deaths of nearly a
third of their people during the march called "Trail of Tears." Happily, Cherokee jewelry makers had resumed making
their beautiful beadwork by the 1950's and are very active making beautiful personal adornment and art today.

Historical Events Affected Native American Jewelry Designs

Not surprisingly, tear drop shapes are common in Cherokee necklaces, and a seed called "Corn Tears" or Job's Tears"
is commonly used in Cherokee necklaces. It is said that as Cherokee women walked and cried along the "The Trail,"
they saw tear drops hanging from corn plants. In actuality, they were the seed pods that hang from the tops of a wild
Asian grain that grew along "The Trail."
See our Cherokee "Corn Tears" necklaces.

The rose symbol is also favored in Cherokee necklace designs. A Cherokee story tells us that the spot where tears fell
along "The Trail," as the women cried for those who died, a rose began to sprout in its place. The wild "Cherokee Rose"
still grows along the route of the "Trail of Tears." Along with beadwork, the Cherokees also produce beautiful wood
carving and baskets.

Following the move to the Indian Territory Reservation, the Cherokee had to follow a sedentary lifestyle. They
began to actively build a new society following American ways of life. This eventually gave them more leisure time
to pursue artistic endeavors.

Increasing Sedentary Lifestyle Contributed To The Growing Production Of Art Forms Especially Native Jewelry

Native American tribes who abandoned the "hunting and gathering" method of obtaining food and other necessities
produced an increasing amount of intricate art forms. They had the free time to allow artistic tribal members to
pursue their work full-time. This was important to the development of Native jewelry and art.

APACHE NATIVE AMERICAN JEWELRY
Apache jewelry is rich in gem stones and precious metals such as silver, gold or platinum. Some Native
American jewelry items, especially rings, have intricate engravings of Apache Indian symbols, which
when put together will tell a story. The Native American teardrop jewelry style is very popular in
Apache jewelry.

The use of the tear drop symbol in Apache jewelry comes from a battle fought between the Apache
and U. S. Calvary on top of a mountain near Superior, Arizona in 1872. A large contingent of soldiers
squared off with 75 Apache braves. Unwilling to surrender, the surrounded Apaches proudly rode their
horses off a cliff. When the Apache women learned of the warrior's deaths, they cried for days. As
the tears fell to the ground, it is said that they turned to stone in the shape of a teardrop. Onyx or
obsidian became common in Apache necklaces and are said to bring good luck to the wearer "forever."

Other symbols used by the Apache to make Native American necklaces may include arrowheads and
thunder stripes. The most sacred of all native jewelry symbols used by the Apache Indian jewelry artisan
is the sacred hoop which represents the Chief.

Jewelry made by Native American Apaches may have a symbol worked into precious metal with an inlay
of gemstones for the pendant, with beads shaped from wood, shell, bone or nuts. In general, Apache
Indian necklaces are usually big and bold with large gemstones, such as turquoise, opal, coral, and
magnesite. Wood, shell, nuts and seeds are found in interesting combinations. Bone has long been
important and comes from the rib bone chest shields commonly worn by the Apache warrior for
protection. Today, it is used in the popular Apache choker necklace.

CHEROKEE NATIVE AMERICAN JEWELRY
Jewelry crafted by Cherokee Native Americans has long been made from natural materials found in the
Native American tribal environment for thousands of years. The Cherokee Indian jewelry maker has
also utilized an unusual variety of jewelry materials in handcrafting their native tribal jewelry designs,
including gold, precious and carved beads, semi precious stones, wood, and nuts of all kinds.

The symbols used in Cherokee bead and gemstone necklaces come from their experiences during the
famous "Trail of Tears," when the Native American Removal Act of 1838, forced the Cherokee
Indians to march hundreds of miles to a desolate reservation in Oklahoma Territory. This experience is
symbolized in the "Cherokee Rose" and teardrop shaped symbols, especially the use of "Job's tears" or
"corn tears" seeds in their jewelry pieces.

HOPI NATIVE AMERICAN JEWELRY
Hopi jewelry, kachinas and art are filled with images of the animals and scenery seen in everyday
life. This harmony with nature is reflected in the symbols used in their dances, rituals, art, and
native jewelry. Water is frequently symbolized in their Indian jewelry, as are turtles, frogs, clouds, rain,
lightning, and waves. Fertility and abundance may appear in American Indian jewelry as corn, bean sprouts,
and other crops in necklaces or pendants.
American indian jewelry
native american jewelry title
kokpelli a jewelry symbol
Our Jewelry Artisans Are Descendants of Native American Apache,
Cherokee and Pueblo Indians. MOST ARE ON TRIBAL ROLLS. We
have provided you with indepth information on Native American jewelry
culture and history using scholarly sources and historical photos.
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1107 Cedar Mountain Big Bear, CA
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